Towards the east European technique
Creation of words and improvisation
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Intensive course INTERNATIONAL DRAMA WORKSHOP with professors of the Belarusian Academy of Arts |
From
the 1st August to 4th September 2005
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Information ON WORKSHOP Professional profile of the trainees : Intended to professional actors or for students . It's open particularly with all those who wish to be revivified with through of approach different from of theatre, such as class in Byelorussia, according to the principles and the methods of Stanislavsky, Mr. Tchekhov, Meyerhold and Tovstonogov. This training course is placed under the theatrical sign of the meeting and exchange between two cultures. Consequently, we will be happy to meet any person eager and able to call in question its scenic practices four weeks.
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UNFOLDING The courses are based on a concept
around :
We wish to present our work, our
theatre methods and to define a terminology, which often is fuzzy
and difficult to put into practice." play character Feeling ". A true mobilization and right acts naturally give birth during the process of the play, the feelings and the sincere emotion. To present the methods based on search of true processes intended to help the training to test emotion at the time of the play and to analyse the" psycho physiologic " evolution on scene. Several modules are proposed to
facilitate the job for actors into practice and make of the stages
in construction of the character. evolution of work will move on
this following way : The morning, work on the availability of
the body, concentration, listening of the directions, imagination,
notion of individual and group, sensory memory, precision of the
gesture? Exercises in the afternoon, practical application of the
exercises of the morning, with work on the direction of the tempo
and the rate/rhythm (gives rhythm movement and of emotional intensity),
coordination in space (balance, impulse, centre of gravity, accuracy
of movement), and analyse of the play (logical of action). The whole
punctuated by improvisations and the presentation of work at base
personnel exercises. |
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It coordinates the teaching direction and prepares the program of the training course.Actor and Director trained in Paris, then with l?Academy of Arts of Minsk. participation activates with the exercises and coordinator between the trainees and the professors. Objective: As well as possible to return the comprehension of the exercises while trying to make become aware of the bond which exists between the various matters. |
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Actor and graduate director of the Academy of Arts of Minsk where he is currently a professor. Work entitled ²de the Act in Personnage²: to be in situation, to imagine, act and build a character thanks to the bases of the system of Stanislavsky , theatrical research of Meyerhold and Michael Chekhov . |
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Graduate director with l?academy of arts of Minsk, it gives courses to l?academy of arts and work to the theatre of youth.Improvisations and exercises of techniques of the actor. To develop all the directions of the actor, to release and increase its capacities on scene |
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| Dancer in National Company of Dance of Bélarus, it is currently professors with the academy of arts of Minsk. The course will be articulated in two parts: |
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PLASTIQUE ACROBATIE :
Yanovitch Yuriï Adamovitch |
You will work with him of the simple lifting figures: balance, salto, flip and figures of group
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6 H per week. Actor, dancer, professional juggler with the Academy of Arts of Minsk. Initiation with the fight and the theatrical combat: to give and receive blows, to fall without hurting itself... You will use the rapière, the scraping-knife, the knife, the stick. You will learn how to juggle with balls, cubes, but also with a chair, a coat, a basin... |
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Graduate with the National Academy of Music of Bélarus.Accompanying and pedagogue with l?Academy of Arts of Minsk.It will accompany the courses by Dance and of Song and Tempo/Rythme and will help you for all your musical research
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Graduate actor of l?Academy of Arts of Minsk.Work with l?academy of arts with Alexandra Sandler.Development in the actors of the musical capacities, work on the tempo and the rate/rhythm, listening, concentration, the availability.Objective: to assimilate sufficient bases to work in musical improvisation of group with the instruments which are our body and our voice. |
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Graduate Actress with l?academy of arts of Minsk, it also works with the Nationnal Theatre of Bélarus "Ianka Koupala".Exercises on the work of breathing, and the breath. It is imperative to provide d?une skipping rope. You will learn with muscler your diaphragm and to place your voice. |
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Soloist of Ballet since 30 years.The courses will s?articuleront on l?apprentissage progressive bases of the modern clappers and an approach of the Folk dances. |
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| Conditions of stay in Minsk
Departure of Paris on 1st August 2005, arrived at Minsk on 3nd August 2005. Beginning of the training course on 3th August 2005. Distance Dublin - Minsk is at 1800 km! It correspond at 35h of bus... prepare your sandwiches ! ! ! At Minsk you will be 4 by 4 in an apartment. The stage will be on a theatre. The morning class will be at an cultural centre close of the theatre. Sunday will be reserved for visiting the city. The return is for the 6th September 2005, the arriving in Paris is the 8th September 2005 |
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240 hours of formation August 2005 : 4 weeks in Minsk Participation fee : 790€ Contact Olga : +353 87 9312405 olga@dlptheatre.net |
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Monday |
Tuesday |
Wednesday |
Thursday |
Friday |
Saturday |
9.00 - 10.00 |
Tape Dance |
Training |
Tape Dance |
Training |
Tape Dance |
Training |
10.00 - 11.00 |
Diction |
Training |
Diction |
Training |
Diction |
Training |
11.00 - 13.00 |
Fighting & Fencing |
Dance |
Fighting & Fencing |
Dance |
Fighting & Fencing |
Dance |
13.00 - 14.30 |
Break |
Break |
Break |
Break |
Break |
Break |
14.30 - 16.30 |
Acrobatic |
Tempo/Rhythm |
Acrobatic |
Tempo/Rhythm |
Acrobatic |
Tempo/Rhythm |
16.30 - 17.00 |
Break |
Break |
Break |
Break |
Break |
Break |
17.00 - 21.00 |
Technique |
Technique |
Technique |
Technique |
Technique |
Technique |